以下內容轉載自:
uQhI) http://heartvj.chihlee.edu.tw/weblog/59107232?w_id=27935 `uwSxt uv|RpIv e: THEORY11對Andrei Jikh的個人採訪(最下面有我的一點翻譯)
<)$e*HrI ZGw 6Bd_I Vitals:
Nf5zQ@o_y Name: Andrei Jikh
,Gi%D3lA Location: Las Vegas, NV
X :#}E7]j $x/VO\Z{- Born in Russia, Andrei Jikh has risen to the top of the cardistry artform - all the while being one of the art's youngest performers. Andrei's videos have inspired and motivated cardists around the world with his signature style, creativity, and knuckle-busting moves. Andrei is the newest theory11 artist, announced on July 2nd, 2008.
< @S'vcO (.J 6>"K< VIDEO: Andrei Jikh : Artist Announcement
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Vx% $RA+StF!] +xL' LC x Q&A:
n- he|u Q: What is theory11 to you? Why is this site different?
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wi!C} A: Theory11 is a rendezvous between cardistry and magic. It is the place to be for the latest and the greatest across both artforms, with respect for the industry in the forefront.
!#Pr'm/,mu pP-L{bT Q: What got you into Cardistry?
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on A: The first visual I ever had of cardistry in action was that of De'vo. I was entranced by the movement and level of skill apparent. My family (and father in particular) has a long history of gymnastics in Cirque du Soleil, so the dexterity and fluidity of the movement was inspiring and motivational.
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p9 &W8fEQwa Since then, I've placed great emphasis on creating moves of my own, defining a unique style, and working with others (like theory11) to advance the artform.
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W+E Q: How long do you practice each day?
<YM!K8hu$ A: In the beginning, upwards of 10+ hours and this lasted for about 3 to 4 years. Presently, the deck is almost always in my hands and moves are much easier than they have ever been.
RRb>]oD 5_\1 f|, Q: Who is your favorite performer to watch?
2RU/oqmR A: I could name a few but those who possess creativity and inspiration are always worth watching a million times. A few highlights - Bone Ho, Dan and Dave, The Virts, Philip McAuley.
|jI|} ,I GU0[K#% Q: What do you see as wrong with the industry today?
wzj :PS A: A separation in style that results in bickering and a case of the superiority attitude seems to be the general problem among Cardists. One must be creative, passionate, and versatile to be a great artist. The only way to accomplish that is to have an open mind toward all styles in a way that allows one to incorporate them into a killer performance.
79z/(T + Q<Q?#v7NX "Learn, create, perfect, and share; that is what theory11 was made for."
FrsXLUY Q: What advice would you give to those that are just starting in Cardistry?
'WNq/z"X A: Build a strong foundation, develop skill, speed, smoothness, and variety (most overlooked key factor). Never lose your sense of style and personality. Keep an open mind and NEVER give up as difficult as it becomes... in the end it's all worth the trouble. Lastly, get out there and perform!
eemC; JV % \ zJb}NbnT Q: Final thoughts?
v8"Zru A: A heart-felt thank you to Richard Z, Daren Yeow, Jonathan Bayme, Katie Egleston, and Chris Kenner. I love you guys!
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>W{-H+ XI '.L ~ N0pA , & 裡面大致上是說他是俄羅斯人,THEORY11對他來說是包含了魔術與紙牌藝術的地方,是很棒的地方.
kp-`_sDg HGao} @' 他開始接觸紙牌藝術是受到DE'VO的影響(鬼手也是,我也是,我朋友們很多也都是,DE'VO真是花式之神),學了一段時間後開始開創自己的風格.
X Z=%XB:? 3dx.%~c 他三、四年前開始每天練習10個鐘頭以上---直到現在,他手上幾乎無時無刻都拿著牌.
{,=U]^A n v
?u 他喜歡觀看Bone Ho, Dan and Dave, The Virts, Philip McAuley的作品.
*q A:%m3 "]bOpk T 他認為打嘴炮跟自以為的態度是導致紙牌藝術進步遲緩的主因;身為一個藝術家,你必須具有創意,熱情和才華洋溢的本質,能夠將大腦清空把自己所學到的東西融合在一起創造出最屌的表演.
);/p[Fd2] w5+(A_ "學習、創意、上進心與分享；這就是THEORY11為什麼存在的原因"
782 oXyD *x/H 他認為剛開始要學好紙牌藝術必須先注重:發展一個堅定的原則,發明新招式,速度感,流暢感,和多樣化(許多人都會忽略的關鍵),然後別失去自我風格,保有開放性的思考,別放棄困難的技巧,那是有價值的麻煩... 最後,坐而言不如起而行.
Z 5V_?bm$ (GoxiX l 他最後說：我由衷感謝Richard Z, Daren Yeow, Jonathan Bayme, Katie Egleston, and Chris Kenner,我愛大伙兒!
R('\i/fy OI,F
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8 4lT# ^q ~}_S]^br 原網址中有放他的個人影片,大家可以去看看喔!!
